Black Writers Program / Capital B “Black”: Writing about Blackness with Hari Ziyad
Learn more about our Black Writers Program.
Capital B “Black”: Writing about Blackness with Hari Ziyad*
Thursday, December 10 from 6-7:30pm
Join Editor-in-Chief of RaceBaitr and author of the upcoming memoir Black Boy Out of Time Hari Ziyad for an interactive lecture on all that it means to center Blackness in your work and professional career, particularly in a world where it can further marginalize the already marginalized. What are the unmistakable rewards? The challenges? How do you learn to be adamant and immoveable in that choice?
*PLEASE NOTE: This event is exclusive to Black writers and artists. We ask that individuals who are not Black abstain from signing up.
Click here to pre-order the memoir Black Boy Out of Time, which is set to be released on March 1, 2021.
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Hari Ziyad is a cultural critic, a screenwriter, the editor-in-chief of RaceBaitr, and the author of Black Boy Out of Time. They are a 2021 Lambda Literary Fellow, and their writing has been featured in BuzzFeed, Out, the Guardian, Paste magazine, and the academic journal Critical Ethnic Studies, among other publications. Previously they were the managing editor of the Black Youth Project and a script consultant on the television series David Makes Man. Hari spends their all-too-rare free time trying to get their friends to give the latest generation of R & B starlets a chance and attempting to entertain their always very unbothered pit bull mix, Khione. For more information about the author, visit www.hariziyad.com.
Angel Nafis
ABOUT JON SANDS:
Calley Anderson is the Interim Program Manager for NYWC and a Brooklyn-based playwright from Memphis, Tennessee. She is a graduate of Davidson College (BA in English, Concentration in Film and Media Studies) and The New School for Drama (MFA in Playwriting). Anderson spent three years working in the Memphis non-profit arts sector before moving to NYC in 2017. She is a member of the Dramatists Guild, the American Theatre Group PlayLab, a 2020-2021 Dramatists Guild Foundation Fellow, and is currently commissioned by the University of Memphis Dept. of Theatre and Dance. Anderson is also one of eighteen Memphis Hub fellows of the Salzburg Global Seminar’s Forum for Young Cultural Innovators. Learn more at
Jennifer Baker is a publishing professional of 17 years, creator/host of the Minorities in Publishing podcast, and contributing editor to Electric Literature. In 2017, she received a NYSCA/NYFA Fellowship and a Queens Council on the Arts New Work Grant for Nonfiction Literature. Her essay “What We Aren’t (or the Ongoing Divide)” was listed as a Notable Essay in The Best American Essays 2018. In 2019, she was named Publishers Weekly Superstar for her contributions to inclusion and representation in publishing. Jennifer is also the editor of the all PoC-short story anthology Everyday People: The Color of Life (Atria Books, 2018). She has volunteered with organizations such as We Need Diverse Books and I, Too Arts Collective, and spoken widely on topics of inclusion, the craft of writing/editing, podcasting, and the inner-workings of the publishing industry. Her fiction, nonfiction, and criticism has appeared in various print and online publications. Her website is:
Kaitlyn Greenidge‘s debut novel is We Love You, Charlie Freeman (Algonquin Books), one of the New York Times Critics’ Top 10 Books of 2016. Her writing has appeared in the Vogue, Glamour, The Wall Street Journal, Elle.com, BuzzFeed, Transition Magazine, The Virginia Quarterly Review, The Believer, American Short Fiction and other places. She is the recipient of fellowships from the Whiting Foundation, the National Endowment for the Arts, the Radcliffe Institute for Advanced Study other places. She was a contributing editor for LENNY Letter and is currently a contributing writer for The New York Times. She lives in Brooklyn, NY. Kaitlyn’s forthcoming novel, Libertie, will be released in March 2021. Her website is:
Quressa Robinson joined the
Alisha Acquaye is a writer, artist and event organizer with a passion for mutual empowerment across POC communities, and self-imagination as an instrument for resistance. Her work—ranging from journalism, creative nonfiction and multi-media collaboration—explores the relationships between art, identity, culture and intersectionality. Alisha is particularly inspired by the creative and afrofuturistic methods Black people use to reclaim their narratives, and self-care and community building as formative weapons against oppression.